Visual database

Rollout drawing of the Woman with Alpaca theme portrayed on Pucara-style polychrome and incised pottery vessels excavated at the Pucara temple complex. Note the small version of the Rayed Head Motif under the alpaca. Reconstructed by Stanislava Chávez based on drawings by Sergio Chávez of several glued fragments pertaining to two similar versions of the same theme on pedestal-based bowls.

Rollout drawing of the Feline Man theme portrayed on Pucara-style polychrome and incised pottery vessels excavated at the Pucara temple complex. Reconstructed by Stanislava Chávez on the basis of drawings by Sergio Chávez of several glued fragments pertaining to two similar versions of the same theme on pedestal-based bowls.

Continuities in a selection of Yaya-Mama style iconography as it develops into "Classic" Tiahuanaco style. The lower portion represents "early" and "late" Yaya-Mama motifs and designs in pottery and stone; the middle shows examples of "transitional" images depicted on snuff tablets, Provincial Pucara textiles, and stone carvings; the upper portion represents motifs and designs from the Gateway of the Kalasasaya, the Bennett, Ponce, and Kochamama stelae, including two examples of statues known as chachapuma. The two motifs on the upper left derive from a Huari tapestry published by Isbell and Knobloch (2009:Figure 5). Line drawings by Sergio Chávez.