2.33

Continuities in a selection of Yaya-Mama style iconography as it develops into "Classic" Tiahuanaco style. The lower portion represents "early" and "late" Yaya-Mama motifs and designs in pottery and stone; the middle shows examples of "transitional" images depicted on snuff tablets, Provincial Pucara textiles, and stone carvings; the upper portion represents motifs and designs from the Gateway of the Kalasasaya, the Bennett, Ponce, and Kochamama stelae, including two examples of statues known as chachapuma. The two motifs on the upper left derive from a Huari tapestry published by Isbell and Knobloch (2009:Figure 5). Line drawings by Sergio Chávez.

Item record
Chapter
Ch. 02: Identification, Definition, and Continuities of the Yaya-Mama Religious Tradition in the Titicaca Basin
Item type
Drawing
Cultural terms
Early Yaya-Mama
Late Yaya-Mama
Pa-Aajanu
Provincial Pucara
Pucara
Tiwanaku
Transitional
Wari
Yaya-Mama
Geographic terms
Andean South America
Chumbivilcas
Copacabana
Lake Titicaca
Lake Titicaca Basin
Pukara
Qaluyu
San Pedro de Atacama
Tiwanaku
Valle de Majes
Temporal terms
Early Intermediate Period (EIP)
Early Horizon (EH)
Middle Horizon (MH)
Image contents
Reuse
Recommended citation

Isbell, William H.; Uribe, Mauricio I.; Tiballi, Anne; Edward P. Zegarra, 2018, "Visual database", https://doi.org/10.25346/S6/1B33FN.